Aim

Mahāsarā: Journal of Interdisciplinary Music Studies aims to advance scholarly discourse on music through interdisciplinary perspectives. The journal provides an academic platform for researchers, educators, artists, and practitioners to examine music as an artistic, cultural, educational, technological, and social phenomenon.

The journal encourages original and methodologically sound studies that contribute to the development of contemporary music scholarship, promote dialogue across disciplines, and expand understanding of music in diverse local, national, and global contexts.

Scope

Mahāsarā welcomes original research articles, theoretical studies, practice-based research, and critical reviews in areas including, but not limited to:

• Musicology
• Ethnomusicology
• Music Education and Pedagogy
• Performance Studies
• Composition and Music Creation
• Music, Technology, and Digital Media
• Cultural Studies in Music
• Music and Society
• Music, Identity, and Community
• Music Industry and Creative Economy
• Traditional, Popular, and Contemporary Music
• Interdisciplinary Studies connecting music with education, media, technology, culture, psychology, sociology, anthropology, and related fields

The journal particularly welcomes studies that offer interdisciplinary approaches, methodological innovation, and meaningful contributions to the development of music studies.